In an experiment conducted, it was found out that brain facet linked to words and meaning temporarily turns off during jazz interactions. Thus, this audio is according to syntax and not based on meanings. The perception that the music classified as jazz can be a type of communication has been the focus of interest to experts and scientists. They want to know what are the things that are taking place in the brain of musicians while playing the music.
The study revealed that portions of the brain for musicians playing jazz who become involved with some musicians in impromptu improvisation show strong involvement with the same portions of the brain customarily combined with spoken semantic and syntax. This suggests that improvisational jazz takes its source in the brain to become a language. Together with the limited ability of musical proficiency, one specific difference for jazz conversation as compared with spoken exchange of ideas is that jazz genre is according to syntax but not semantic.
Therefore, music as a language, means that even if the meaning is hardly described, it makes some sense to those who are listening. Though the meaning of the song matters as lyrics connect the listener to the song, the rhythm and the music is undeniably the first thing that appeals to the listener and what attracts him or her to hold on to it for many times with appreciation and joy. Many scientists agree that language is the factor that makes us human, but the brain is programmed to process acoustic systems that are far more complex than speech. Even improvisational jazz is created around a basic structure that only musicians can truly understand. This structure is similar to our spoken norms and practices.
Indeed, the human brain is highly complicated in its operations that more likely it functions with mystery. Whatever the case may be, one thing is certain that music is a means to express the deepest thoughts and feelings of the one playing it. And to the listener, the message becomes meaningful only when it affects its mental and emotional core.
The study revealed that portions of the brain for musicians playing jazz who become involved with some musicians in impromptu improvisation show strong involvement with the same portions of the brain customarily combined with spoken semantic and syntax. This suggests that improvisational jazz takes its source in the brain to become a language. Together with the limited ability of musical proficiency, one specific difference for jazz conversation as compared with spoken exchange of ideas is that jazz genre is according to syntax but not semantic.
Therefore, music as a language, means that even if the meaning is hardly described, it makes some sense to those who are listening. Though the meaning of the song matters as lyrics connect the listener to the song, the rhythm and the music is undeniably the first thing that appeals to the listener and what attracts him or her to hold on to it for many times with appreciation and joy. Many scientists agree that language is the factor that makes us human, but the brain is programmed to process acoustic systems that are far more complex than speech. Even improvisational jazz is created around a basic structure that only musicians can truly understand. This structure is similar to our spoken norms and practices.
Indeed, the human brain is highly complicated in its operations that more likely it functions with mystery. Whatever the case may be, one thing is certain that music is a means to express the deepest thoughts and feelings of the one playing it. And to the listener, the message becomes meaningful only when it affects its mental and emotional core.